Dinnerware, France, 20th century, Puifocart manufacture, St Petersburg and Rosebud model by Silvita Gallienne in pink-white porcelain with polychrome decorations, composed of one hundred and sixty-one pieces Composition: 18 soup plates diam. 20,5 cm, 48 flat plates, 24 fruit plates, 23 dessert plates, 12 coffee cups with 12 saucers slightly different in size, 12 tea cups with 12 saucers

Soup tureen, 20th century sterling silver, oval shape with lance-shaped leaf profiles, two scroll handles, lid grip in the form of a flower, 40.5x23 cm, g 2600

Cutlery set, Alexandria, 20th century, silversmith Ricci & C silver, hallmark 20AL and hallmark 800 composed of two hundred and seventy-seven pieces, total g 13000 Composition: 24 forks, 12 spoons, 12 knives, 12 fruit knives, 12 fruit forks,12 fruit spoons,12 fish forks, 12 fish knives, 12 fish fork and spoon, 12 steak knives, 12 ice cream scoops, 12 dessert forks, 12 forks dessert knives, 12 dessert knives, 1 bread knife, 4 shellfish cutlery, 12 coffee spoons, 12 tea spoons, 2 tongs ice tongs, 2 sauce spoons, 2 nutcrackers, 12 cocktail spoons, 2 salt shakers and shovel, 2 spoons and 2 forks for salad forks, 2 roasting forks, 3 large knives, 8 various cutlery, 4 scoops, 2 truffle cutters, 5 serving cutlery of which one not applicable, 12 snail tongs, 1 fish spring, 2 tongs, 2 confetti spoons, 2 shell tongs, 2 tongs 1 ladle, 2 bottle opener, 2 sugar spreaders, 3 shell spoons

Twelve cigarette cases with table ashtray, Milan, 20th century, silversmith Miracoli profiles decorated with lance-shaped leaves, h. 5.5 cm, total g 1090

Two basins, Paris, late 19th century, silversmith Odiot silver with floral profile, removable silver interior, 34x26.5 cm, total g 2795 Three saltcellars in rocaille style, 20th cent. in sterling silver, 10x8.5 cm, total g 430 Two table ashtrays and three bollard-shaped containers made of silver-plated metal, ashtray length cm 26 and cm 22, container height cm 7

Tea box, London, 1730, silversmith William Darker silver with feline feet, front with engraved coat of arms and motto, h. 25 cm g 1000

Dinnerware, 20th century, made by Richard Ginori in porcelain decorated with flowers, gold border, composed of fifty-six pieces Composition: 24 dinner plates,12 soup plates, 11 saucers, 1 soup tureen, 1 gravy boat, 3 oval trays, 1 salad bowl, 2 ravioli bowls, 1 round tray

Set of glasses, Murano 20th century in green blown glass, consisting of: 12 water, 12 red wine, 11 white wine, 12 flute

Cutlery set, Alexandria, 20th century, hallmark Miracoli in silver composed of two hundred and thirty-five pieces, hallmarks 20AL and 800, total g 11800 net Composition: 24 forks, 24 spoons, 24 knives, 24 dessert forks, 24 dessert knives, 24 dessert spoons, 24 ice cream scoops 24 coffee spoons, 24 teaspoons, 2 scoops, 1 spoon, bread spring, 4 serving cutlery, 1 spring, 2 sauce spoons 1 sugar spoon, 4 salad cutlery, 2 salt shakers and colander not relevant

Part of cutlery set, Alessandria, 20th century, silversmith Ricci & C. silver, hallmark 20AL and hallmark 800 composed of two hundred and ninety-four pieces, total g 12100 net Composition: 24 spoons, 23 knives, 24 fruit forks, 25 fruit knives, 27 fruit spoons, 25 butter knives 43 dessert forks, 41 ice cream scoops, 41 teaspoons, 20 fish knives, 1 spoon

Dinnerware, 20th century, Royal Tettau Bavaria manufacture porcelain with onion decoration, consisting of two hundred and fifteen pieces Composition: 43 dinner plates, 57 soup plates, 28 fruit plates, 1 soup tureen, 1 gravy boat, 1 chopping board, 6 oval trays in two sizes, 1 small rectangular tray, 3 round trays with handles, 2 round serving trays, 2 butter dishes, 2 ravioli bowls, 2 salad bowls, 1 bowl, 12 cups, 2 pouring bowls, 18 coffee cups with 18 saucers, 2 sugar bowls, 13 small pastry dishes

Kees VAN DONGEN (1877-1968) "The Poppy" Lithograph signed in the plate lower left, numbered 10/70 lower left countersigned lower right in blue pen. Never framed - very good condition 63 x 47 cm sheet FOR BIDDERS *** Storage fee after 15 days *** WE DO NOT DO PACKING OR SHIPPING - You have to contact us or send us a pre-paid packing ****** BIDDING EQUIVALENT TO ACCEPT OUR TERMS AND CONDITIONS OF SALE

A CENTRAL ITALY LECTERN, 16TH CENTURY LECTERN, CENTRAL ITALY, 16TH CENTURY carved and inlaid wood in the Carthusian style; the lectern, with a double reading surface, has geometric inlaid work on the two supporting planes, framing a central architectural representation, dominated by towers and a castle, while the short triangular sides show a central carving in the form of a rose window; the octagonal section of the support is also affected by a dense inlay of geometric motifs, surmounted by a quadrangular capital carved with large overlapping leaves; it rests on a circular moulded base supported by three large lion paws, 174x61x55 cm

A LARGE FLORENTINE JAR (JAR), CIRCA 1725 LARGE JAR, FLORENCE, CIRCA 1725 Glazed earthenware, ovoid body with high cylindrical neck and everted rim, upper part fitted with two ribbon handles with scroll finials and centred with the Medici family coat-of-arms applied in relief just above the engraved inscription FECE/ LORENZO MONTAVTI . This vase, which shows the typical 18th-century form of the imprunetino two-handled jar, belonged to a more numerous series, of which four similar examples are today conserved in the collection of Sir Harold Acton at Villa La Pietra in Florence, some dated 1725 (inv. 1995 no. XII.A.7); 85x61x54 cm. Comparative literature AA.VV ., La civiltà del cotto. Arte della terracotta nell'area fiorentina dal XV al XX secolo , Impruneta 1980 exhibition cat., Florence 2009, p. 219

A PAIR OF CENTRAL ITALY MIRRORS, 18TH CENTURY PAIR OF CENTRAL ITALY MIRRORS, 18TH CENTURY in carved and gilded wood with moulded lines, on the upper part three winged elements, on the sides two eaglets and plant elements, on the lower part two lamp-holder bobèches, 88x54x14 cm

A VENETIAN CASSONE FRONT, LATE 15TH CENTURY CASSONE FRONT, VENICE, LATE 15TH CENTURY carved wood and gilded pastille, rectangular in shape with engraved background with floral motif, depicts processional scene framed by ribbon band enclosing woven ribbon, flowers and geometric carvings, 46x160 cm; mounted within gilded wood moulded frame, 50x166 cm overall

A FLORENTINE CHEST WITH BACKBOARD, 16TH CENTURY CHEST WITH BACKBOARD, FLORENCE, 16TH CENTURY in carved walnut wood, high back with two pairs of fluted pilasters and notched pediment, urn-shaped chest with openable seat and high moulded base, complete with rectangular footboard with notched front corners, 162x112x85 cm overall Comparative literature F. Schotmüller, I mobili e l'abitazione del Rinascimento in Italia , Torino 1921, p. 74 n. 176

A CENTRAL ITALY RELIQUARY, 17TH CENTURY RELIQUARY, CENTRAL ITALY, 17TH CENTURY carved wood, painted in polychrome and gilded, rectangular in shape; front centred by oval reserve with relief border, corners marked by four sinuous pilasters, lid decorated with cherub's head, feral paws; 30x36x24 cm

A RENAISSANCE STYLE CASSONE, 19TH CENTURY RENAISSANCE STYLE CHEST, 19TH CENTURY carved and partially gilded wood; wide lid descends in moulding through several orders of carving and is carried on the front composed of an upper profile characterised by a succession of open flowers within roundels, which below continues on a wide band centred by a rampant lion within a cartouche surmounted by a mask, at the sides profiles of herms enclose medallions containing figures of putti lying on the back of a horse on the left and above a bull on the right, also surmounted by masks, at the corners two winged herms projecting in profile, while the sides are covered with rich leaf carving; lion paws, 61x170x57 cm Comparative literature F. Schotmüller, I mobili e l'abitazione del Rinascimento in Italia , Torino 1921, p. 60

A PAIR OF CENTRAL ITALY COATS-OF-ARMS STOOLS, 16TH CENTURY PAIR OF COATS-OF-ARMS STOOLS, CENTRAL ITALY, 16TH CENTURY in carved walnut, shaped back centred with crowned noble coat-of-arms within cartouche-decorated frame, octagonal-shaped seat on plain band, ace-of-cups supports on feral paws, the front one carved with coat-of-arms similarly to the back, 109x34x49 cm Comparative literature F. Schotmüller, I mobili e l'abitazione del Rinascimento in Italia, Turin 1921, pp. 172-173 nn. 385-390

A FLORENTINE PLAQUE, GRAND DUCAL WORKSHOPS, CIRCLE OF FRANCESCO GHINGHI, 17TH CENTURY PLAQUE, FLORENCE, GRAND DUCAL WORKSHOPS, CIRCLE OF FRANCESCO GHINGHI, 17TH CENTURY in commesso of various marbles and semi-precious stones, rectangular in shape, depicting profiles of the Announcing Angel and the Virgin Annunciate within gilded ovals in relief, in turn framed by geometric frames with polychrome tesserae threaded in black, 13.5x18 cm; mounted within a partially ebonised wooden frame, 24x28.8 cm overall Comparative literature A. Giusti, L'arte delle pietre dure da Firenze all'Europa , Florence 2005, pp. 159-160 figs. 131-132

A FLORENTINE CASKET, 16TH CENTURY CASSINA, FLORENCE, 16TH CENTURY in carved and gilded walnut, urn-shaped lid decorated with several rows of mouldings with two bands of carved baccellation and nailing alternating with open leaves at the corners, rectangular body punctuated by oval reserves separated on the long sides at the centre by a cherub holding a scroll, corners decorated with projecting profiles from the body of a child and giral legs; the body is framed by upper geometric profiling and by various orders of carving, half-leaves, beading, vegetal carving and various declinations of a baccellated motif; rests on flattened ball feet, 35.5X55X39.5 cm Comparative literature F. Schotmüller, I mobili e l'abitazione del Rinascimento in Italia , Turin 1921, p. 65 nn. 147-149; P. Lorenzelli, A. Veca, TRA/E. Teche, pissidi, cofani e forzieri dall'Alto Medioevo al Barocco , Bergamo 1984, pp. 302-305 nn. 402-403

A PAIR OF VENETIAN SCULPTURES, 17TH CENTURY PAIR OF SCULPTURES, VENICE, 17TH CENTURY in patinated bronze depicting Vulcan and Poseidon, both recognisable by their traditional attributes; h. cm 26.5 and h. cm 27 respectively, mounted on turned wooden bases, h. cm 11 Comparative literature R. Varese, Placchette e bronzi nelle Civiche Collezioni, exhibition cat. of Ferrara and Pomposa, Florence 1975, p. 113 n. 93

A TUSCAN BASIN, 17TH CENTURY BASIN, TUSCANY, 17TH CENTURY in embossed copper of oval form with two bronze sockets at the sides; body punctuated by broad ribs, everted rim and high neck decorated with a claw motif within ribbon profiles, 22x61x52 cm

A PAIR OF GIROLAMO CAMPAGNA SCULPTURES, EARLY 17TH CENTURY PAIR OF SCULPTURES, GIROLAMO CAMPAGNA, EARLY 17TH CENTURY in patinated bronze depicting Meleager and Atalanta, sometimes also interpreted by critics as Endymion and Venus. The two figures, originally made to decorate chimney-pieces, are to be found in numerous public and private collections and can be related to the work of Girolamo Campagna (Verona 1549 - Venice 1625) on account of their similarities in execution and style, particularly in the treatment of the wide, outstretched planes, the formal rigidity of the poses and the rendering of the hair and feet; 50x12x13 cm and 51x15x11 cm respectively, mounted on quadrangular moulded bases in red marble and gilded bronze, h. 6.5 cm Comparative literature D. Banzato, F. Pellegrini , Bronzi e placchette dei Musei Civici di Padova , Padova 1989, pp.89-91, fig. 65

A CENTRAL ITALY CASSONE, 15TH CENTURY CHEST, CENTRAL ITALY, 15TH CENTURY in polychromatically painted wood, rounded front panel decorated in shades of green with a noble coat of arms within a robbia-style frame repeated at both ends; 57.5x181x47 cm

A VENETIAN BASIN, 17TH CENTURY BASIN, VENETO, 17TH CENTURY in embossed copper, oval shape, flared rim ending in a ribbon band subtended by a recessed profile with parallel incisions followed by a rounded band embossed with a large central mask and around it fruit and bird motifs; two large ear-shaped handles and three feet in the shape of a ferine paw, 39.5x70x50 cm Comparative literature C. Squarcina, F. Dal Cin (eds.), La Venezia di Tintoretto. Le collezioni di Florio Dal Cin , exhibition cat., Venice 2018, p. 8

A PAIR OF FIGURES, VENETIAN WORKSHOP, EARLY 17TH CENTURY TWO FIGURES, VENETIAN WORKSHOP, EARLY 17TH CENTURY in patinated bronze on green marble bases depicting Mars and Minerva respectively. The attribution of these models has long been debated by critics, who have agreed to remain in the Venetian sphere at the turn of the 16th and 17th centuries, identifying the maker in the circle of Girolamo Campagna and Alessandro Vittoria respectively; h. 35.2 cm and 37 cm (the figures), on marble plinth bases 14.5x10.4x10.4 cm Provenance Bussandri Collection, Bassano del Grappa; Florence Taccani, Milan (declaration of 31/01/1984); Private collection Comparative literature R. Varese, Placchette e bronzi nelle Civiche Collezioni , (cat. of the Ferrara and Pomposa exhibition), Florence 1975, pp. 104-111 nn. 90-91

SEVEN LOMBARD CHAIRS, 17TH CENTURY SEVEN CHAIRS, LOMBARD, 17TH CENTURY in walnut and leather, front legs and crosspieces turned into spools on flattened ball feet, back and seat upholstered in leather stamped with motifs, 106x54x54 cm

A LARGE USHAK CARPET, ANATOLIA, 19TH CENTURY LARGE USHAK CARPET, ANATOLIA, 19th CENTURY with ruby red background centred by a geometric medallion in the colours cream, orange, green, light blue and decorated with stylised plant motifs, 491x422 cm

A PAIR OF CENTRAL ITALY VASES WITH LID, 18TH CENTURY PAIR OF DECORATIVE VASES WITH LID, CENTRAL ITALY, 18TH CENTURY brass, truncated cone-shaped body with swelling in lower part, moulded goblet foot and domed lid surmounted by baluster socket, h. 48 cm, diam. 21 cm

A PAIR OF SMALL NORTHERN EUROPE LIONS, 15TH CENTURY PAIR OF SMALL NORTHERN EUROPE LIONS, 15TH CENTURY brass, depicted seated on hind legs, 8.5x7.8x3.5 cm Provenance Alessandro Cesati, Milan; Private collection

A TUSCAN TABLE, EARLY 18TH CENTURY TABLE, TUSCANY, EARLY 18TH CENTURY in walnut with a rectangular top decorated in various marbles, forming a geometric design composed of a large central oval-shaped reserve in red marble, surrounded by a white band and two smaller ovals at the sides in grey marble, the whole surrounded by a large border in dark grey marble; wooden support table with turned baluster legs, joined to the base by a cross-table, also turned and centred by a decorative element, 85x164x78 cm

A FLEMISH JUG, 16TH CENTURY JUG, FLANDERS, 16TH CENTURY bronze, pyriform body with wide rimless mouthpiece and slightly flared foot, body punctuated by thin horizontal incised or relief lines, flat ribbon-like handle with curvilinear course; h. 14 cm, mouth diameter 6.2 cm, foot diameter 8.6 cm

A FLEMISH SCULPTURE, 15TH CENTURY SCULPTURE, FLANDERS, 15TH CENTURY in brass depicting Madonna and Child, the Virgin shown standing holding her robe with her right hand while holding the child with her left, 20.2x6.5x6.4 cm Provenance Alessandro Cesati, Milan; Private collection

A DUTCH CHARGER, 16TH CENTURY PARADE PLATE, HOLLAND, 16TH CENTURY gilded brass, circular in shape, narrow smooth brim and cavetto decorated in relief with four thistle flowers arranged symmetrically interspersed with stylised leaves. A similar specimen is in the collections of the Rijksmuseum in Amsterdam (inv. No. M.11678); diam. 36.5 cm, h. 5.5 cm Comparative literature O. Ter Kuile, Koper & Brons , Amsterdam 1986, p. 171 no. 233

A LOMBARD CABINET, 18TH CENTURY CABINET, LOMBARDY, 18TH CENTURY in ebonized and partially gilded wood, structure of architectural form with central aedicule with opening compartment framed by two torchon columns, flanked on either side by a double column of four drawers each. All the drawers on the front are profiled by gilded frames carved with a guillochè motif , 62.5x105.5x34 cm. Complete with ebonised wooden base with shaped band and four torchon legs joined by linear cross-pieces, cm 88x105.5x32.5

A SMALL NORTHERN ITALY TRAVEL SAFE, 17TH CENTURY SMALL NORTHERN ITALY TRAVEL SAFE, 17TH CENTURY in carved walnut wood of rectangular form, lid carved in guilloché, front with central section with cartouche framing the opening, bearing SKGH inscription in relief flanked by lateral niches, the sides have broken line folders and handles for easy carrying; flattened ball feet, 38x54.5x40 cm

A SMALL SIENESE CASKET, 16TH CENTURY SMALL CHEST, SIENA, 16TH CENTURY carved and gilded wood with pastille reliefs, front richly decorated with winged figures amidst plant festoons and candelabras, sides centred by a large mask, corners marked by large harpies with outstretched wings. The inside of the lid is painted with a rectangular frame decorated with reserves in the centres and corners, within which a polychrome scene stands out with allegorical figures in a wooded landscape, painted in a style reminiscent of the Sienese style of Bartolomeo Neroni known as Il Riccio; 63x98x57 cm

A PAIR OF SPANISH AND NOTHERN ITALY HAMMER KNOCKERS, 16TH AND 17TH CENTURIES TWO HAMMER KNOCKERS, SPAIN AND NORTHERN ITALY, 16TH AND 17TH CENTURIES in forged and engraved iron, the first with shaped body in the shape of a lamb carved in the round and engraved with partially knurled surface to simulate the animal's hair, 15.2x3.4x6.4 cm (mounted on Plexiglas base), the second shaped in the shape of a reptile carved in the round with gaping mouth and curled tail, 19x9x2.6 cm (mounted on wood and metal base) Provenance Alessandro Cesati, Milan; Private collection Comparative literature A. and F. Cesati, J. Lorenzelli, A. Veca, Ferro civile , exhibition cat., Bergamo 1991, p. 43 n. 5 and p. 53 n. 19

A PAIR OF ROMAN COAT-OF-ARMS STOOLS, 17TH CENTURY PAIR OF IMPORTANT COAT-OF-ARMS STOOLS, ROME, 17TH CENTURY in wrought iron and gilded bronze, arms with baluster elements and knob finials bearing the Ginnasi family crest, seat in red velvet with embroidery and gilded fringes, 86x75x50 cm Comparative literature A. Pedrini, L'ambiente, il mobilio e le decorazioni del Rinascimento in Italia , Turin 1925, p. 66, nn. 140-141

A PAIR OF TUSCAN TABLES, 17TH CENTURY PAIR OF TABLES, TUSCANY, 17th CENTURY carved walnut, half-moon tops supported by shaped legs joined by linear crossbars, rejoined to form a circular table, 78x127x62.5 cm (each)

A FLORENTINE PARADE COAT OF ARMS, 18TH CENTURY COAT OF ARMS FOR PARADE, FLORENCE, 18TH CENTURY Of shaped form painted in oil on panel, the coat of arms, surmounted by a princely crown, shows on the left the emblem of the Albizi family (in black, with two concentric circles of gold, with the head in silver charged with the cross in black) while on the right an unidentified family depicting a rampant deer in gold on a red background. The decoration is completed by large acanthus leaves on the sides and underlying blue drapery, 164x131 cm

A SPANISH TABLE, LATE 17TH CENTURY TABLE, SPAIN, LATE 17TH CENTURY walnut, rectangular shape, lyre-shaped legs with central column and wrought-iron connecting crossbars, 80x225x125 cm

A CARPIGIAN DECORATIVE TOP, EARLY 18TH CENTURY DECORATIVE TOP, CARPI, EARLY 18TH CENTURY in polychrome scagliola of rectangular form decorated with a large central reserve with richly interwoven whorls and flowers framed by a similar frieze with floral and animal whorls, 89x65 cm Complete with a pair of wrought iron supports, cm 54x57x32 each

A PAIR OF ROMAN EWERS, LATE 16TH CENTURY TWO POURERS, ROME, LATE 16TH CENTURY in blue monochrome majolica, ovoid body on a flat foot, double rope loop ending in a curl and cylindrical spout. The decoration develops on a beryl background with a phytomorphic motif of bipartite leaves framing the pharmaceutical cartouches with Gothic lettering, one subtended by a winged dragon figure, the other by a cherub face; h. 24.8 cm, diam. of mouth 9.5 cm, diam. of foot 9.5 cm and h. 25.2 cm, diam. of mouth 10.2 cm, diam. of foot 9.6 cm

EIGHT NORTHERN ITALY ARMCHAIRS. 17TH CENTURY SET OF EIGHT NORTHERN ITALY ARMCHAIRS, NORTHERN ITALY, 18TH CENTURY in carved walnut, with back, surmounted by carvings in the form of masks, and straight seat upholstered in red studded fabric, linear armrests, front band with floral and scroll carving, squared legs joined by crossbars; seven examples 122x70x63 cm and one 111x72x64 cm